MUNCIE, INDIANA
N 40° 10.917 / W 085° 26.442
Copyright version 1934, cast zinc.
Smithsonian Art Inventory Control Number: IN000082.
Copyright version 1934, cast zinc.
Smithsonian Art Inventory Control Number: IN000082.
In Elm Ridge Cemetery, 4600 Kilgore.
The plaque on the front reads:
THE
ELIZABETH SEARS
MEMORIAL
TO
DECEASED VETERANS
OF THE
WORLD WAR
1917 - 18
THE
ELIZABETH SEARS
MEMORIAL
TO
DECEASED VETERANS
OF THE
WORLD WAR
1917 - 18
The Doughboy was dedicated in Elm Ridge Cemetery August 13, 1939 after having been briefly located at Old Muncie City Hall on Jackson Street.
Based on 1939 correspondence from Viquesney to a representative of Elm Ridge, it is believed that it was damaged during the brief period it was on display at the City Hall and it was necessary to do some restoration work on it before it was placed in the cemetery. In one of the letters, Viquesney included a strong suggestion that the mausoleum at the cemetery would be enhanced by the presence of his statue, "The Unveiling", if finished in a pearlescent plaster composition for the body and a dull white for its heavy drapes.
A picture of this Doughboy on its pedestal was included in a Viquesney promotional brochure.
Based on 1939 correspondence from Viquesney to a representative of Elm Ridge, it is believed that it was damaged during the brief period it was on display at the City Hall and it was necessary to do some restoration work on it before it was placed in the cemetery. In one of the letters, Viquesney included a strong suggestion that the mausoleum at the cemetery would be enhanced by the presence of his statue, "The Unveiling", if finished in a pearlescent plaster composition for the body and a dull white for its heavy drapes.
A picture of this Doughboy on its pedestal was included in a Viquesney promotional brochure.
Above: Plans Viquesney drew and furnished for Elm Ridge Cemetery to build a mound for placement of their Doughboy. It's unclear whether Muncie ever used the plans; today, the statue stands in a flat or slightly raised landscaped area. But several other Doughboys elsewhere were mounted on circular mounds like this (Chicago’s Lincoln Park, and Evansville, Indiana's original locations are examples.) In settings where this approach could be used, it was much less costly than a large stone pedestal.